About

Christina Patricia Haupt | July 26, 1995 | Landshut (D)

Education

Since 2022        PhD Art History and Pictoral Science, Passau

 

2020  - 2021     Cultural Management, University of Vienna, Austria.

2017 - 2020      M.A. “European Studies”, Passau University, Germany.

2018                  Eötvös Loránd University Budapest, Hungary.

 

2014 – 2017      B.A. “European Studies”, Passau, Germany.

2016                 University College Cork, Ireland.

 

Occupations (selected)

  • Social Media manager of the Jane Goodall Institute Austria.
  • Lecturer at the chair of Art History and Pictoral Science
  • Advisor, PIN.Freunde der Pinakothek der Moderne e.V.
  • Trainee at the Department of Cultural Education at the State Collections of Antiquities and the Glyptothek, Munich (2019)
  • Curator "Debüt für die Kunst" in the MMK, Passau (2017)

  Congress Contributions

  • HI PhD Conference "Crisis: Resistance, Rupture, Renewal", University College Dublin (2023)
  • Vernetzungstreffen Kunstgeschichte "Kontinuität und Transition", Universität Hamburg (2023)
  • "Minding Animals" Symposium, Giessen (2023)
  • World Environmental Education Congress, Prag (2022)

Papers

available as e-book or printed here

 

Currently: Hybride nächste Verwandte in der zeitgenössischen Skulptur am Beispiel Patricia Piccinini (PhD in progress)

 

English

  • Touching Upon Boundaries: An Analysis of Interspecies Relationships in the Planet of the Apes Novel (1961), its Cinematic Adaptation (1968), and Remake (2001), Passau 2019.
  • Romanticism in Britain and Germany: A Comparison Between Two Landscape Paintings by J. M. W. Turner and Caspar David Friedrich, Budapest 2018.
  • The Smile in Intercultural Communication, Budapest 2018.
  • A "Hideous Animal" The Body in Michel Faber's Under the Skin (2000), Passau 2018.
  • The Impact of the Italian and Northern Renaissance on Albrecht Dürer the Younger - Self-Portrait at the Age of Twenty-Six (1498), Cork 2016.
  • Amrita Sher-Gil and the Representations of Non-Western Female Bodies, Cork 2016.
  • George Catlin's Portraits of Native Americans: Visual Means to Memorialise the Subject, Cork 2016.
  • Aubrey Beardsley's Illustrations to Oscar Wilde's Salomé (1894), Passau 2015.
  • The Relationship Between the Artist and His Creation in Oscar Wilde's The Picture of Dorian Gray (1891), Passau 2015.

 

German

  • Banksys "Sirens of the Lambs" unter Berücksichtigung der kunst- und bildgeschichtlichen Darstellung von Tieren, Passau, 2020.
  • Skandalkunst. Caravaggios "Madonna dei Palafrenieri" im zeitgenössischen Kontext, Passau 2019.
  • Instrumentalisierung der Raumsemantik in Greenpeace Werbespots, Passau 2019.
  • Artemisia Gentileschis "Judith enthauptet Holofernes" - Tradition und Innovation im Werk einer barocken Künstlerin, Passau 2017.
  • Die Skulptur im Barock - Gianlorenzo Berninis "David", Passau 2016.
  • Die Entwicklung des Folkwang Museum in Essen, Passau 2016.
  • Das "Armada Portrait" der Elizabeth I. von England, Passau 2016.
  • Der Künstler als Reformer und Prophet: von Diefenbach bis Beuys, Passau 2015.